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Farts of an infovore

Weaponizing sex toys for revolutionary struggle

Weaponizing sex toys for revolutionary struggle
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batcii:

smoo told me to draw zutara week stuff so instead i drew some modern au gaang. sorry for my shitty handwriting.

(via hellotailor)

moniquill:

white-history-month:

elizajumel:

the first female chinese immigrant to america was a sixteen-year-old girl who was part of a cultural exhibit where she sat in a life-size diorama and people watched her eat with chopsticks while wearing silk clothes and that’s really all you need to know about the commodification of chinese women

Afong Moy.  Her name was Afong Moy.  Say the names of people who should be remembered.

^ reblogging for name

(via samjohnssonvt)

Anonymous said: honestly curious, why does it offend you?

perfectlyerik:

i see lucy as a racist film that plays on negative stereotypes while hiding behind the cover of (white) feminism. 

all this film has done is switch out the white man for a white woman. it’s still a film about a white person getting violated by the evil poc, then gaining power and wiping them out. 

here’s 2 of my favourite scenes from the trailer: 

image

from top to left to right:

KEEP CLEAN 保持清潔,APPLE 蘋果,ONION 洋蔥,GRAPE 葡萄,CHAIR 椅子,TOMATO 番茄

traditional chinese is an actual written language used by millions of people, not symbols to be thrown around at the whim of set designers because they look cool and idk, serves to create a menacing asian atmosphere. this is so disrespectful, and made even worse by the fact that this film in set it taipei, taiwan where the official written language is traditional chinese.

it doesn’t matter that this film caters to a primarily “white” audience who won’t be able to read it, the language and culture of taiwan isn’t something for you to twist and use as you deem fit because it’s “exotic.” 

image

lucy shoots a guy for not being able to speak english. 

she l i t e r a l l y shoots this taiwanese taxi driver, in taiwan for not being able to speak english. she’s in taipei and she’s shooting people as they are of no use to her because they don’t speak english. 

just think about the sort of message that’s sending out. she’s not being “bad-ass strong female character who takes no shit,” she’s saying that english is useful and better. this is the type of harmful ideology that stretches all the way back from when western countries were colonising and forcing their language and customs on other countries. 

let me explain with a real life example. i was born in new zealand to two taiwanese parents. i am fluent in english, but mandarin is conversational at best. my friends in taiwan say that i am “so lucky” to speak fluent english, when they are fluent in mandarin and their english level is no worse than my mandarin. they tell me that they want to perfect their english but in the same breath tell me that mandarin isn’t worth perfecting because i have english and that’s “enough”. they also tell me how pretty my white friends are when they see pictures.

this is the type of neo imperialism ideology that they’ve grown up buying into. it honestly hurts and frustrates me that they belittle their own culture like this, honestly believing that the western world is superior. this is the type of neo imperialism ideology that this film (hopefully unintentionally) promotes: white people are better and will save the day. 

if they wanted to film a movie about a white women getting back at those who had violated her, why not film it in a western country? if they wanted to film it in taiwan, why not find an asian lead actress?

i do agree that we need more women protagonists in action/superhero movies, but not like this. its not okay that the female lead needs to be kidnapped and have her body cut open without her consent in order to gain her powers, and those said those powers do not make any of this racist bullshit okay. 

i am just so tired and angry of poc always being brushed off to the side as either props or villains in mainstream media. 

as a poc, it’s so frustrating to see that the of the standard of beauty still white women when we live in multi-cultural societies and a diverse world. 

feminism is about equality. a film in which poc are presented as evil and inferior before being killed off by a superior white woman does not promote equality. 

auntiewitch:

theshadybisexual:

bisexual people can be lesbophobic and lesbians can be biphobic. if we all sat back and said “i’ll stop being biphobic/lesbophobic when they stop being lesbophobic/biphobic” we are not going to get anywhere.

(via a-little-bi-furious)

PSA

transluminescence:

amphetameme:

regretproduced:

Being male doesn’t mean you can’t be misandric

Being male doesn’t mean you can’t be misandric

BEING MALE DOESN’T MEAN YOU CAN’T BE FUCKING MISANDRIC

MISANDRY IS NOT  SOMETHING ONLY WOMEN CAN CONTRIBUTE TO

JUST LIKE MISOGYNY IS NOT SOMETHING ONLY MEN CAN CONTRIBUTE TO

ANYONE CAN BE SEXIST TOWARDS ANY SEX

(づ。◕‿‿◕。)づ・。*。✧・゜゜・。✧。*・゜

Have a nice day!

this post is a masterpiece

OPs URL is accurate if nothing else

fygirlcrush:

coming this fall on Fox/NBC/AMC: this ruggedly handsome white man is an asshole who treats everyone terribly but… there’s a twist… he’s Good at His JOB…

(via transluminescence)

gasoline-station:

Radisson Blu Iveria: A Luxury Hotel That Became a Refugee Camp

Via

The Radisson Blu Iveria Hotel is located at the center of Georgia’s capital city Tbilisi. Built in 1967, it was Georgia’s finest hotel and a popular place to stay for its excellent location and sweeping views of the city. Then in the early 1990s, soon after the collapse and subsequent breakup of the USSR, civil war broke out in Georgia. Tbilisi was flooded with refugee ethnic Georgians coming in from the disputed territory of Abkhazia on the west of Georgia. More than 200,000 refugees poured into the city and the government was faced to deal with their reallocation. Many buildings in Tbilisi, including Hotel Iveria, were reallocated for housing the displaced. A thousand of them wound up in the hotel’s 22 floors where they would remain for the next ten years.

The hotel had been lying vacant at that time, unable to do business after the collapse of the Soviet Union and associated collapse of Georgia’s tourism industry. The monumental Soviet building that dominates the Georgian capital’s skyline became a pitiful sight, with broken windows patched up with cellophane, broken railings, crude plywood constructions on the balconies and a gaudy miscellany of washing hung everywhere.

(Source: ryanpanos, via scavengedluxury)